“ 多元媒体概念艺术行动 ”
这概念是融合现代科技 “ 建构式现实（AR）”与 “ 古典中国笔墨（CCBW）”，在一 个“表演艺术”的形式下，使隐形数码效果的AR 与中国笔墨效果的意韵，作交流对话。AR 的隐形数码变化效果，来互动于古典中国笔墨笔触的气韻变化。一隐一现，这可暗示我们所见的现实。是有形及无形（色空）为本质，不能只执着眼前所见。
“ 古典中国笔墨（CCBW）” 经过数千年的沉淀，蕴含了深厚的东方生命智慧，以真气（宇宙能量）来显现对宇宙人生的感悟。现代科技的 “ 建构式现实（AR）” 是近代以数码技术来显示世间不一样的维度现实。两者互动对话，可能在古典艺术与现代科技间，产生一个互为启发作用。当代艺术的不拘形式及开放性，可能是最佳的表达方式。其有形及无形的视觉冲击，在丰富的观能盛宴下，希望能觉知一点现实的真相。
何家强
2025年11月
演出地点： 香港艺穗会
演出日期： 2026年1月9日 至10 日
The awareness of the reality – Visible and Invisible
This is a “multi-media conceptual art action”. The concept of the art action is to integrate modern technology .”Augmented Reality (AR)” and “Classical Chinese Brushwork (CCBW)” under a form of “performing art”, so that the invisible digital effects of AR and the spiritual meaning of Chinese brushwork effects can have a kind of dialogue. The invisible digital effect of AR interacts with the charm of classical Chinese brushstrokes, one hidden and one appearing, which can suggest that the reality we see is the essence of the tangible and intangible (form and void), and we cannot only cling to what we see.
After thousands of years of precipitation, “Classical Chinese Brushwork (CCBW) ” contains profound Eastern wisdom of life, and uses vital qi (cosmic energy) to express the perception of life in the universe. Modern technology’s “Augmented Reality (AR)” is the modern use of digital technology to show a specific dimension of reality. The interactive dialogue between the two may have a mutually inspiring effect between classical art and modern technology. The unconventional form and open-mindedness of contemporary art may be the best way of expression, and its tangible and intangible visual impact hopes to be aware of the truth of reality under the rich visual impact of the performance.
Henry Ho
November 2025
Place: Hong Kong Fringe Club
Date: 9 – 10 January, 2026
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